so now that i've imagined the whole dumbshow reflected in Diana's eye, i'm thinking 'why keep it dumb?' POV will be cutting away to long shots, flashback and back into the eyeball movie screen again, anyway. why write dialogue when there's all that great Hamlet + Ophelia material ready + public domain. and why not let Hamlet be heard as he + Ophelia improvise their fight scene while Keskarel watches, projecting her own bad experience onto the scene. K won't hear Hamlet, but we will. keep it simple and straightforward, and make the most of our shots.
lots of material to mine. don't need to reinvent the wheel.
sylvia
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